Texture Book 1

Whilst my processes are fairly easy to understand, the use of quotations have been pulled and torn from various pages of William Shakespeares 'The Tempest'.

His final play and final known piece of work seems relevant to link to my own final major, alongside with my personal adoration for the piece.

A variety of mediums have been used, which include : 

- Hot glue
- Tissue paper
- Gutterman thread (of various widths)
- White biro
- Faber Castell Polychromos
- Daler Rowney Watercolour
- Tape
- Star stickers (yes I'm like a 5 year old)
- Canvas
- Origami paper
- Charcoal
- Black Sharpie
- Black biro
- Text (The Tempest)
- White paint marker
Beats, as of flesh and blood; I fear a madness held me.
This must crave - whose throats had hanging

In this last tempest,
I drink the air before me.

I perceive these lords,
As when they are fresh.
The devil speaks in him.

Do not, for one repulse, forgo the purpose.
Or ere your pulse twice beat.

Eyes filled.
Blood red.

Of excellent dumb discourse. 

For, now they are oppressed.
Let me embrace age,
you need not fear.

We are such stuff as dreams are made on.

Chaos theory

Stitched up and framed. 

God loves everyone,
but you.

Hang cur - hang you whoreson, insolent noise maker!

Narcism 

Death is just a technical problem.

War is obsolete.

You do assist the storm.

Stamps

Sinews.

Curls.

A thread.
Whilst many of these textures are not present in most of my work thereafter, I have found the use of movement is highly relevant. I wish to use spray paint and a variety of mediums for my final major, so this will come in useful then.

Comments

Post a Comment

Popular posts from this blog

Oil Pastel

Image
Oil Pastel Experiment - Tyler Joseph After deciding that I was quite enjoying using oil paints, I decided to have a go with Oil Pastels.  Previously, I grew impatient with the medium so sought to avoid it at all costs. But decided that it would benefit this experiment with tone and detail better than using charcoal or pencil. The pastels are also good for making an 'airbrushes' appearance from blending them, so this settled my medium choice for the portrait. I already knew that I was going to create a portrait as I had the line-work for it already. So far I have found the medium quite refreshing, as I have not used it in so long. Unfortunately I do have problems blending out the medium as my hands are always cold, so I cannot melt the medium in my fingers. To overcome this, I have been periodically heating my hands when I need to blend out colours.  Materials used : - white oil pastel - black oil pastel - paper blending stump (large) - c...
Read more

Literary Influences

Image
King Lear Themes in King Lear There were various themes and motifs in King Lear which can be explored in essays. I have put some small examples by each of the smaller titles. Blindness  - Relation to King Lear and Gloucester with both their physical and metaphorical blindness. Nothingness  - Relation greatly to the characters with the referral to "nothing". Cordelia, Lear and The Fool. The Fool uses the word "nothing" often in forms of humor to ridicule the king, but he is also trying to give serious advice to Lear who has reduced his possessions to "nothing" by giving away his land, and thus his title. Nature  - the influences of the storm over Lear, and his relations with the 'gods' Madness  - King Lear's suffering "let me not be mad" Suffering  - a key element of Tragedy as discussed by Kastan, " Tragedy, for Shakespeare, is the genre of uncompensated suffering " and its presence is brought upon many charact...
Read more

Oil Paint

Image
Oil Paint Experiment  My first oil painting and first time using the medium 1 layer before completion I have never used oil paint before for anything. The most experience I have had with it was putting swatches onto pages in my first year of A-levels.  Previously, I did not like the smell nor the longevity of the medium, so avoided it for a long period of time. After watching a lot of art restoration videos on YouTube (particularly  Baumgartner Restoration ) I have grown fond of the way that it has been used over time, and as to how well the paint retains its colour over centuries. The permanence of paint is now quite flattering to me, so thats why I chose to use it for this portrait.  I have had quite a few troubles, which mainly consists of creating and mixing the colours that I need. I found that I lacked the pink hue of the original photo, so took the executive decision to wash out the skin tone, and to possibly put a red hued varnish over the fi...
Read more